Friday, May 9, 2014

McKennledy (or: All U.S. Presidents of Irish Descent Get Assassinated)

Seeing as how our current novel is all about the assassination of President John F. Kennedy, I've been looking for a good opportunity to write a blog post about what I find to be the most fascinating event in all of 1901 (probably even the entire 191st decade, although extending that to the entire 20th century might be a bit of a stretch): the assassination of President William McKinley. Unfortunately, I've struggled to draw parallels between the two events. They're really very different. Kennedy was shot from a very large distance, whereas McKinley was shot while touching his assassin (or at least while within a few millimeters of him). Kennedy's assassination might be the most disputed event ever; McKinley's assassination was about as cut and dried as it gets (his assassin, Leon Czologsz, was executed just 53 days after shooting McKinley). So I thought that I might be able to craft a blog post about how different the two assassinations were, but then I came across a pretty noteworthy similarity: Neither Czolgosz nor Lee Harvey Oswald really had anything against their assassinees victims. Oswald had that whole "agent of history" thing going on, and Czolgosz was just upset about the significant difficulties faced by immigrants in the United States (he himself wasn't an immigrant, but both of his parents were, so he faced many of the same obstacles) and ended up taking it out on the president.

So, since I can't really make anything out of that, I'll try throwing in the other two presidential assassinations. I don't know nearly as much about the assassinations of Presidents Abraham Lincoln and James A. Garfield as I do about the assassinations of McKinley and Kennedy, but I'll give it a shot.

Sorry, poor choice of words.

Anyway, John Wilkes Booth, unlike Czolgszwald (that really doesn't work as well as McKennledy, does it?) did have something specific against his victim. He was a confederate sympathiser upset that the South had lost the Civil War, and he blamed the result of the war on Lincoln (which, to be fair, is pretty reasonable). And then there's Charles Guiteau, the only one of the four presidential assassins that was actually insane. He had supported Garfield in the 1880 election (I'm not sure to what extent he did so; he may have just voted for Garfield) and believed that, because of this, he deserved a spot on Garfield's cabinet. When Garfield, who probably didn't even know who Guiteau was, did not include him in his cabinet, Guiteau got angry and shot the president.

Although all four presidents got shot, the manner in which the assassinations went down varied quite a bit. Booth and Guiteau just walked right up and shot their victims - Booth in a theater during a performance and Guiteau at one of Garfield's speeches. Then the government decided that it might be a good idea to put more effort into protecting the president, so Czolgosz had to get a little creative. At a "meet-the-president" event at the Pan-American Exposition in 1901, where ordinary citizens got to line up for the exciting honor of shaking hands with the president (McKinley, an experienced politician, could shake up to fifty hands per minute - just what we all look for in our politicians), Czolgosz lined up to meet McKinley with his right hand wrapped in a makeshift bandage, so McKinley extended his left hand. All of a sudden, Czolgosz flexed his right hand to throw off the bandage and reveal a gun, which he promptly used to fire off two shots before being tackled by the person behind him in line. Of course, Oswald (and whatever conspirators there may or may not have been) took this up to eleven with what they did.

Libra briefly mentions the mysterious Curator sending Nicholas Branch a 400-page report about the similarities between the assassinations of Lincoln and Kennedy. These weren't really "meaningful" similarities; they were just a set of bizarre coincidences (don't tell David Ferrie). If you don't know about these, you can easily find them online, but here are the ones that I remember:

  • Lincoln was elected in 1860, while Kennedy was elected in 1960.
  • Both presidents were succeeded by men named Johnson.
  • Lincoln's successor, Andrew Johnson, was born in the year exactly 100 years before the birthyear of Kennedy's successor, Lyndon Johnson (sadly, I don't remember what the common last two digits of those years were).
  • Both Lincoln and Kennedy were shot by men known by all three of their names, and both assassins had a total of fifteen letters in their names.
  • Lincoln was assassinated in Ford's Theater, and Kennedy was assassinated in a car built by Ford Motor Co. - a Ford Lincoln.
  • Booth shot Lincoln in a theater and ran into a warehouse. Oswald shot Kennedy from a warehouse and ran into a theater.
  • A week before Lincoln was assassinated, he was in Monroe, Maryland. A week before Kennedy was assassinated, he was with Marilyn Monroe.*
*EDIT: Sadly, I have discovered that this last one is inaccurate.

Finally, I leave you all with one interesting fact related (in varying degrees of directness) to each assassination other than McKinley's (if you want to know more about that one, just ask me to e-mail you a copy of my semester project, although you may have to wait until after we present them in class), ordered by increasing degree of interestingness (shut up, that's totally a word):
  • Pluto, the astrological symbol for death, was directly above Dallas when John F. Kennedy was born.
  • Abraham Lincoln was the first president to be photographed at his inauguration. In the photograph, he is standing just a few meters away from John Wilkes Booth.
And finally:
  • Charles Guiteau intentionally chose a fancy-looking rifle to use to shoot James A. Garfield so that it would look nice in a museum after the assassination.

1 comment:

  1. These Kennedy-Lincoln coincidences, which Branch alludes to, are a great example of the kind of ambiguous "data" that Branch struggles to try and make sense of. There's no clear *point* to these coincidences, they don't seem to reflect anything obvious about who was involved or why, or answer any mysteries, but they are remarkable when set out like this. (Except for the "known by three names" one: Lee Oswald only became the three-named assassin after the fact; I'm not sure about Booth, but he was an actor, the other great genre of thee-named celebrities.) No rational mind sees any obvious, practicable meaning in the Johnson connections, the election-year parallels, the fact that Kennedy was being driven in a Lincoln . . . and yet, how can we completely brush these off? Don't they seem to imply SOME pattern to how the universe works, even as our rational mind tells us that such patterns are arbitrary and accidental and have no historical relevance? There's a poetry or magic here that implies rational, objective "history" doesn't capture the full picture. Ferrie is the spokesman for this point of view in the novel.

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